IMMERSION THERAPY: A JAY TAYLOR STORY
WOMAN AGREES TO INTENSIVE DP THERAPY SESSION TO CURE PHOBIAS

Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She’s dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn’t listening. She’s more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, ‘Erin?’ The woman snaps to attention, but still remains closed off. The therapist continues, ‘I really need you to pay attention and work with me today. If I’m being honest, I’m running out of ideas on how to continue. Now, did you do the homework I assigned last session?’ Erin frowns.

CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted.

CUT back to the therapist’s office. Erin slowly responds to the question, ‘Um… I went as far as I could.’ Daniella is almost at a loss, and though her words are measured, she is frustrated, ‘Okay … What is it about your own body that repulses you?’ Erin stiffens, she doesn’t want to answer this question again. ‘It’s not MY body. It’s anyone’s body! They’re so messy, so bestial. The way they look, feel, smell, sound…’ Daniella interrupts her almost absent-mindedly, ‘And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.’ Daniella’s offer intrigues Erin. She sits up, focused. ‘I don’t want to go to anyone else. I’m willing to do whatever you think we need to do.’ Daniella smiles, ‘Excellent. I’ll prepare the consent forms.’

CUT TO TITLE PLATE

Erin sits on the floor of the therapist’s office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. ‘Excellent, this should give us the comfortable setting we require,’ she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. ‘Good,’ She says, putting it on the desk. ‘Now, I need you to trust me. You want to get better, yes?’ Erin nods, and Daniella continues, ‘Good. Why don’t we get a little more comfortable? Take your sweater off, and I’ll do the same.’ Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, ‘Wonderful. Look at how far you’ve come already. Now, just mirror what I do.’ She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts.

Erin is startled, but Daniella quickly calms her, ‘Don’t mind him! He’s just my assistant. An extra pair of hands. Focus on me!’ Erin’s eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can’t see it, so Daniella describes it to her … building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin’s legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin’s top, squeezing her tits.

The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant’s cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other.

As Erin continues to suck the second assistant’s cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her.

The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn’t going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?

IMMERSION THERAPY: A JAY TAYLOR STORY
WOMAN AGREES TO INTENSIVE DP THERAPY SESSION TO CURE PHOBIAS

Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She’s dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn’t listening. She’s more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, ‘Erin?’ The woman snaps to attention, but still remains closed off. The therapist continues, ‘I really need you to pay attention and work with me today. If I’m being honest, I’m running out of ideas on how to continue. Now, did you do the homework I assigned last session?’ Erin frowns.

CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted.

CUT back to the therapist’s office. Erin slowly responds to the question, ‘Um… I went as far as I could.’ Daniella is almost at a loss, and though her words are measured, she is frustrated, ‘Okay … What is it about your own body that repulses you?’ Erin stiffens, she doesn’t want to answer this question again. ‘It’s not MY body. It’s anyone’s body! They’re so messy, so bestial. The way they look, feel, smell, sound…’ Daniella interrupts her almost absent-mindedly, ‘And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.’ Daniella’s offer intrigues Erin. She sits up, focused. ‘I don’t want to go to anyone else. I’m willing to do whatever you think we need to do.’ Daniella smiles, ‘Excellent. I’ll prepare the consent forms.’

CUT TO TITLE PLATE

Erin sits on the floor of the therapist’s office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. ‘Excellent, this should give us the comfortable setting we require,’ she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. ‘Good,’ She says, putting it on the desk. ‘Now, I need you to trust me. You want to get better, yes?’ Erin nods, and Daniella continues, ‘Good. Why don’t we get a little more comfortable? Take your sweater off, and I’ll do the same.’ Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, ‘Wonderful. Look at how far you’ve come already. Now, just mirror what I do.’ She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts.

Erin is startled, but Daniella quickly calms her, ‘Don’t mind him! He’s just my assistant. An extra pair of hands. Focus on me!’ Erin’s eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can’t see it, so Daniella describes it to her … building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin’s legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin’s top, squeezing her tits.

The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant’s cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other.

As Erin continues to suck the second assistant’s cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her.

The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn’t going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?

‘Anytime your boss tells you yes or no, you have to respect their decision.’
-Unknown

THE SECRETARY

We open with the secretary (Jill Kassidy) laying on the floor with her ass up, looking sexy in her white blouse, pencil skirt, and high heels. Her fingers glide along the keys of the typewriter as she types ‘YES BOSS’ over and over again. In the background, her boss (Derrick Pierce) watches from his desk, hungrily admiring the view.

Once the secretary is done, she brings her boss the sheet of paper, eager for his praise. The boss calmly uncaps his pen and corrects her work. He’s dissatisfied, handing her back the paper and telling her, ‘Again.’

The secretary grins to herself as she hurries off.

CUT TO the secretary returning with another sheet of paper, with the handwritten words ‘PLEASE BOSS’ scrawled across. When the phone rings, the boss orders her to answer it while laying across his desk. As she obediently does so, he corrects her work by holding the paper against her ass. After she hangs up, he gives her the corrected paper, ordering, ‘Again.’

The secretary’s almost giddy at his stern tone, biting her bottom lip as she clutches the paper close to her chest.

CUT TO the secretary knocking on the boss’ door. Once she’s allowed in, she folds the sheet of paper and holds it in her mouth while getting down on all fours. She slowly crawls to her boss’ desk, acting submissive as he stands tall before her. When he takes the paper from her mouth, we see the words ‘FUCK ME BOSS, PLEASE!!’ written in large, desperate letters.

Finally satisfied with her work, the secretary’s wildest fantasy is about to come true as her boss orders her to bend over his desk.

‘Do I go out of my way to help others?
Am I sincere in what I say and do?
Have I a good memory for names and faces?
Can I put people at their ease?
Can I take care of all my boss’ needs?
Then, one day, I will be a good secretary.’

STRIKES A CHORD
STRUGGLING MUSICIAN HAS THREESOME WITH DJ FOR PROMISE OF FAME

SCENE OPENS on Aidra Fox, walking down a busy city street. Holding a guitar case, she turns a corner and meets up with Lee, her manager. Aidra tells him that she made a lot today, handing him some bills. He can’t believe what he’s seeing. SIX dollars and some quarters is NOT a lot! She was out there for two hours!! Did she even play any of the good songs?? She played everything that he told her to play, but they weren’t really paying that much on that corner. He picks up a slip of paper that she dropped on the ground. What is this? She tells him that it’s a phone number that some girl dropped in her guitar case. He looks at the paper closely. Wait a minute—did the girl give Aidra DJ GAMBLE’S phone number??? He’s the hottest DJ out right now! If this phone number is real…it’s GOLD, Lee adds. They have to go call him RIGHT away.

CUT TO Cruella (Abigail Mac), DJ Gamble’s associate. She walks through a beautiful house and opens the front door, greeting Aidra and Lee, the people that she spoke with on the phone. She invites them in, telling them that DJ Gamble is waiting. A mysterious glint in her eyes, she closes the door behind them.

CUT TO TITLE

Cruella leads them into a high-tech home studio, where DJ Gamble (Seth Gamble), headphones on his ears, sits in front of a computer screen. When Cruella tells him that they have guests, he takes his headphones off and turns to Lee and Aidra. Lee tries to shake his hand, but DJ Gamble doesn’t acknowledge him, instead fixing his gaze on Aidra as he walks up to her wordlessly. He stares at her for a moment longer, as if he’s appraising her, before he turns and sits back down again. Aidra narrows her eyes, puzzled, as DJ Gamble whispers something in Cruella’s ear.

Cruella returns to Aidra, telling her that Mr. Gamble is VERY interested in talking more. But before they talk, Cruella wants to make sure that she’s comfortable, so she helps Aidra off with her coat. Aidra smiles, taken by their attention and hospitality. But her smile turns to a gasp of shock a moment later when Cruella abruptly squeezes Aidra’s ass, complimenting her on her figure. Aidra can’t believe what just happened and excuses herself and Lee so that they can speak privately. In the other room, Aidra is freaked out, saying that these people are just trying to FUCK her! Lee convinces her to at least hear them out and they go back into the studio.

Caressing her arm sensually, Cruella tells Aidra that she and Gamble spoke and they are very interested in doing business together. Lee tells her that if she wants to talk business, she has to talk to him, so Cruella takes Lee to the other room. When they return a few moments later, they announce that they’ve reached an agreement.

Seemingly out-of-the-blue, Cruella looks Aidra in the eye and firmly tells her to take off her clothes. Aidra looks at Lee in disbelief. W-what is she talking about?? When Lee prompts her to do it, Aidra is furious. How could he DO this to her?? At that moment, DJ Gamble spins around in his chair, loudly clearing his throat and walking up to Aidra. Aidra looks on in shock as Lee excuses himself, leaving the trio alone. Just…take your clothes off, he says softly. That’s NOT what she came here for, so Aidra announces that she’s leaving. DJ Gamble stares at Aidra, telling her that she can leave, but if she does, they won’t have a chance to make her into the star she was born to be. All she has to do is give them a little…something.

So…if she wants their help, she has to be a good girl and take off her top for them. Taking a deep breath, Aidra says yes and slowly takes her top off. DJ Gamble begins to rub Aidra’s pussy over her pants as Cruella kisses her neck and squeezes her tits. They slip Aidra’s bra off and Cruella sucks on her nipples, stripping her pants off and revealing her perfect pussy. When DJ Gamble and Cruella take their clothes off, Cruella directs Aidra to kneel in front of him and holds her hair as Aidra slides his hard dick into her mouth.

DJ Gamble and Cruella have promised to make her dreams come true, but Aidra’s going to have to sell her soul for that taste of stardom…

BIOGRAPHY OF A VIRGIN
OBSESSED TEACHER DEVELOPS DARK FIXATION ON VIRGIN STUDENT

Mr. Davies (Michael Vegas) is burning the midnight oil as he grades papers in his home office. He’s down to the last one for the night, thankfully, although once he starts reading it, time seems to slow down.

The essay is about a girl (Carolina Sweets) owning the fact that she’s an 18-year old virgin. Betty’s proud, recognizing that her virginity is a special gift — she doesn’t want to give it away to just anyone…

Mr. Davies fixates on the student, hearing her utter, ‘I’m a virgin,’ in his head over and over again, slowly driving him mad with lust. It’s like she’s calling to him to be that special someone to make her complete…

The next day, he invites Betty over to discuss the essay and how beautifully it was written. Betty is naive about everything, though is happy to be in the presence of a teacher she admires. Yet, when Mr. Davies starts paying her more compliments than she’s used to, she grows suspicious of his true intentions.

Finally, Mr. Davies asks if she feels it, too? The connection between them? When he read her essay, it was as though it was specifically written for HIM — as if she was asking HIM to have the honor of taking her virginity.

Betty is shocked, exclaiming that that’s not what she was implying at all, but Mr. Davies has power over her. If she doesn’t give herself to him, he might stop her from graduating school or getting accepted into good colleges. He could end all her dreams with just one report card…

To save face, she submits to Mr. Davies’ twisted delusion, willing to give up her virginity in order to prevent him from taking EVERYTHING from her.

CUM INSIDE
TEEN’S CREAMPIE HOOKUP AD DRAWS UNWANTED ATTENTION FROM INTRUDER

SCENE OPENS on a teen, Meg (Gianna Dior), in her bra and panties on her bed. She is sensually humping a pillow between her legs, moaning as she thrusts into it. She’s holding her phone in her other hand, and every time she gets a message she slows her humping to look at the phone and type a response. ‘Yes, I AM all alone right now, my parents won’t be back for hours…’ she says out loud with a smile as she types and then sends the message. She goes back to playing with herself.

A few moments later, her phone sounds again. ‘Yes, I AM over 18 – eggplant emoji,’ she says, dictating her text all the way down to the emoji she adds for effect. She goes back to pleasuring herself. Seconds pass, and her phone sounds a third time. ‘Oooh, I can’t wait for you to cum inside me,’ she says as she types. She sends the text, and then types up another message. ‘My address is…’. She hits send. Almost instantly, she gets a single one-line reply, which we see displayed on the phone. ‘see you soon.’ it reads.

With a smile, Meg puts down the phone and gets back to pleasuring herself with the pillow. Her ass is mesmerizing in her skimpy underwear as she bucks her hips back and forth. She licks a finger of her now free hand. She slips the finger through the waistband of her underwear and starts fingering her pussy, pressing in deeper as she backs into it after each thrust forward into the pillow. She enjoys this rhythm for about a half-minute, before pausing to pull a dildo and lube out of her nightstand drawer. She lowers her underwear and lubes up the dildo with gentle strokes of her hand over the plastic. Eagerly, she sticks it in her pussy, easing it deeper into herself with soft moans. She begins fucking herself with the dildo and fingering herself on the bed for several minutes.

Her phone sounds again, and Meg wonders aloud to herself as she picks up her phone whether he got lost. She looks at her messages and remarks that it’s a message from another guy. She reads it silently to herself and bites her lip and grins. ‘I’m busy for a little while… but how about in an hour?’ she says as she types. She types with one hand, and we see her other hand playing idly with her lubed up pussy as she waits for a response. ‘Sure, I can host. I’ll text you the address…’ She types rapidly into her phone and hits send. She starts to type another message – ‘I can’t wait for you to…’ At the moment where she would say the words ‘cum inside’, we cut to the title plate of the same name.

TITLE PLATE

CUT TO another day, Meg is wearing some casual clothing and milling about her bedroom. She is dancing energetically as she tidies up her room. Her booty shakes enticingly as she moves. We watch from a male gaze POV for a good half-minute. Then, suddenly, we cut to a different POV, a voyeuristic one watching her dancing from outside her window which is ajar. We cut back to the interior of her room, then back again to the voyeur’s perspective.

Meg finishes cleaning and then decides to unwind with a bath. We watch her undress from the interior male gaze POV, though we see the tail end of her undressing and her leaving the room from the voyeur POV. After a few seconds of staring into the empty room, the voyeur POV seems to get up and walk forward.

CUT TO inside the washroom, where Meg is naked and is turning on the water for the bathtub. She checks the temperature of the water with her hand, then makes an impatient face. She waits for a few moments awkwardly. Suddenly she hears a faint creaking sound from the other room. She cranes her neck to listen, then asks if anyone is there. She peeks around the bathroom door and sees a strange man (Seth Gamble) looking back at her.

The intruder is standing calmly, hands in the pockets of his ratty jacket, his hood up over his head. He looks tough and intimidating. Meg’s heart is racing and her breath is shallow and panicked, clearly frightened by the stranger standing just to the side of the doorway out of the bathroom.

She asks him what he’s doing, how did he get in here? The stranger replies ‘You left your door open,’ in an eerily calm soft voice. His calmness just makes Meg even more nervous, and she shrinks back a bit. Why is he here? ‘I got your invite,’ the intruder answers. Meg looks him up and down, still frightened but also confused. She didn’t send him any invites. The intruder tells her softly that she should be more careful with giving out her address so freely online. The internet can be such a scary place.

Meg tries to muster up the courage to seem less afraid than she really is. ‘I’m not really in the mood for sex right now,’ she says, trying to reason with him. ‘That’s too bad,’ he replies sounding disappointed, ‘I am.’ Meg gulps and tries to ignore his reply. She tries to lie, and suggests that maybe he could give her his contact information and they could hook up another time. The intruder pouts and says why not do it now? He’s here, she’s naked, now seems like as good a time as any.

Meg insists a bit more strongly that now is NOT a good time. ‘Oh… ok…’ the intruder says disappointed but doesn’t press the issue further. Meg waits expecting him to say something, move, leave, but he just stands there. Her voice wavers as she asks why he won’t leave. ‘YOU can leave,’ he says almost as an invitation, ‘the door’s right there.’

She stands still in place, terrified. Almost tauntingly, he follows up by asking her what she’s waiting for. She starts to walk towards the door, slow and hesitant, and gets a couple of steps forward until he makes a quick gesture causing her to flinch backwards – nothing violent, just something to spook her. He laughs almost playfully, he was just teasing her. She really can just walk right past him if she wants to leave. What is she afraid of? But instead of walking forward again, Meg shrinks back further into a corner.

The intruder remarks that it seems like she doesn’t want to leave, it seems like she wants to stay. ‘Please,’ Meg begs, but is too scared to get more words out besides incoherent mumbling. The intruder takes a step forward into the room, and asks please what? Please fuck her? That’s all he’s been asking to do all along. Meg shakes her head but can’t manage to choke out any other words. The intruder says he’ll leave if he can fuck her. That’s what she wants, right? Meg clutches at the towel barely covering her body and nods yes, still not able to form any words. The intruder asks that she meant she wants him to fuck her, right? Because it almost seemed like she nodded because she wanted him to leave. But the invite said she wanted to get fucked.

Meg puts her hands over her face in desperation, then after a moment of reflection she gives in. Yes, she says defeatedly, she’ll let him fuck her if he promises to leave after. As he starts unzipping his pants, the intruder says matter-of-factly that of course he’d leave after, this isn’t his house.

NYMPHOMANIA: AN EMILY WILLIS STORY
PSYCH PATIENT HAS SEX WITH DOCTORS AFTER GETTING CAUGHT MASTURBATING

SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is dragged through the halls of the hospital she lives in by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that envelopes most of her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room. She promises not to do it again! But the man silently pulls her through a set of double doors and into an empty white room where the chief psychiatrist (Michael Vegas) is quietly waiting for her. The orderly slams her down in a chair in front of him and goes to wait by the doors.

‘Katherine,’ the psychiatrist begins calmly. ‘How many times do we need to go over this? It’s a strict rule in this facility that you cannot have sexual intercourse with the other patients!’ He leans closely into Katherine’s face and stares her down, as she turns her head. ‘I’m sorry, doctor,’ she whispers. ‘I couldn’t help myself … I can’t control it.’

The doctor steps back and pulls up a chair to face her. ‘Katherine, I fear that your disorder is going to continue to put you in harm’s way,’ he continues. ‘Do you forget what happened a few months ago with the patient in zone B?’ Katherine shakes her head and squeezes her eyes shut. Her mind flashes back to the image of a terrifying man behind bars, coaxing her to come inside with him. ‘Do you remember the beating? The way he tore you up?’ the psychiatrist continues. ‘How he nearly took everything away from you? Almost took your life away from you?’

Katherine opens her eyes as tears well up. ‘Please don’t talk about it,’ she begs. ‘I can’t think about it anymore!’ The psychiatrist continues to berate her, suggesting that her nymphomania provoked it, that she is to blame for all her transgressions, that she won’t stop no matter how rough it gets, and that one day it’ll mean the end of her if she doesn’t stick to her treatments like a good girl.

Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. ‘This is your final warning, Katherine,’ he says, becoming calm again. ‘You will complete your abstinence program, which means no sex, no masturbating, no touching yourself of any kind.’ As he makes his final warning, the orderly steps back in and calmly picks Katherine up and carries the nervous woman out of the room.

CUT TO TITLE PLATE

Several days later. The orderly is doing his rounds, when he peers in on Katherine’s room. She is on the floor by her bed, naked except for her white cotton panties. Her legs are spread wide and the patient is choking herself with one hand while using the other to finger her wet pussy. Authoritatively, the orderly opens the door and storms into the room, chasing the scrambling girl back to her bed. In a panic, she pleads with him not to say anything. She doesn’t want to be restrained again. The orderly laughs in her face. ‘Well, you should have done what you were told then!’ he sneers. ‘Now, I’m going to do what I’ve been told … and take you back to the doctor. Your actions have consequences, Katherine!’ He slams her down on the bed and begins to put her in her jacket, as she begs and pleads for mercy.

CUT TO the white room. The double doors bust open and the restrained girl is tossed on the floor at the feet of her psychiatrist. She cowers beneath him, as the orderly tells him that he caught her masturbating and trying to auto-asphyxiate herself. The psychiatrist shakes his head as she cries out, ‘Please, doctor. Please! I am so sorry, I won’t do it again. I promise! Please don’t send me down to B. Please have mercy!’

He leans in close again, grabbing her chin in his hand. ‘I guess this is just who you are, isn’t it?’ he says condescendingly. ‘You’d rather have sex and suffer the consequences than just control yourself?’ She shakes anxiously.

Dropping her back to the ground, the psychiatrist begins to slut shame her as he circles the restrained girl. He tells her that she is the one to blame. She keeps provoking her partners. She keeps putting herself in these situations for a reason. It’s the violence she craves. The roughness. The patient in B was just a warm up for what she really wants. Men that will hurt her and punish her for the slut that she is. She probably deserves it all.

As he rants, Katherine begins to cry. She is traumatized by her own thoughts and actions and begs her doctor to stop being so cruel. She looks back at the orderly and notices him rubbing himself over his scrubs. He smiles at her. Looking back at the psychiatrist, she reiterates that she can’t help it. She can’t control herself. ‘Are you ready to go back to B? Because we won’t protect you this time!’ the psychiatrist coos. Katherine pleads for forgiveness. ‘Please, please don’t make me go back there!’ she cries. ‘I’ll stop, I promise. I won’t be able to take it again, doctor. Please I’ll do anything you want!’

The psychiatrist and the orderly look at each other and smirk. ‘You’re such a selfish little nympho,’ he says, taking off his jacket. ‘You only care about pleasing yourself. What about your partners? Are they pleased when they’re through with you and your holes?’ Katherine asks what he is talking about. ‘You love sex more than anything, don’t you? You’d do it with practically anybody, wouldn’t you?’ he continues, slipping off his shoes.

She looks around confused. ‘I have a condition,’ she says slowly. ‘And what about how we feel?’ he asks. ‘We have to tolerate your bullshit and disobedience every day … without any kind of relief. Don’t you think you should be a little more grateful to us?’ As the psychiatrist says this, both men pull their cocks out of their pants. At first Katherine looks away in shock and closes her eyes. The men move their cocks closer to her face. She bites her lip. She can feel them near and it drives her insane. She starts to writhe in her straight jacket. ‘That isn’t professional,’ she mumbles, her eyes still closed.

The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. The psychiatrist asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her. She is almost salivating. ‘Then you need to be a good girl and let us have a piece of you too … just like everybody else,’ the psychiatrist orders. The orderly chimes in. ‘Are you going to agree with your doctor?’ he asks. She stares at him, holding his cock, before turning back to the psychiatrist. ‘Yes … sir,’ she says slowly, biting her lip and squeezing her legs together on the floor.