It’s the rare pair of busty legends Stacy Owen and Jeannine Oldfield playing out a jungle girl theme in their exotic animal print costumes. This is the second of two photo shoots Stacy and Jeannine did in September, 1989. On this set, Stacy and Jeannine didn’t need to worry about their delicate skin being assaulted by mosquitoes.
Brandy Boom Boom began exotic dancing in 1989 after entering a wet tee-shirt competition. She enjoyed the attention and the bucks so much that the decision to do more was easy.
Brandy was originally from Nevada eventually relocating to Wisconsin. By 1992, she was traveling cross-country, appearing in clubs such as The Foxy Lady in Rhode Island and The Cordial Lounge in Rochester, New York. Boom Boom enjoyed the look and style of bygone, old-fashioned burlesque so she incorporated the feathers, boas and tassels and all the other accessories of vintage exotic dancing.
In this scene, Brandy is lotions her big tits in a bedroom. The lotion dispenser is unique. She works the lotion into her skin, then spreads and fingers her hairy pussy and licks her tits. While Brandy is enjoying her personal time in the bedroom, Jessica Fox is in the bathroom. When Jessica walks into the bedroom, she sees what Brandy is doing and wants to rub Brandy’s tits too.
During the 1980s and most of the 1990s, the girls who were triple-threats–big-bust strippers that were also magazine and video stars–sported well-manicured pubic gardens and were generally meticulous about their grooming habits. Shaved pussies had not yet taken over. Blonde eye-candy Suzie Boobies had a golden triangle.
Suzie knew that her choice of professions was intended to give guys wood and fuel their fantasies, and she relished that. She also knew that some guys thought of dancers and models as slutty but she believed that if they ever got the chance to relate to them as people, they’d find them just as nice as the “girl-next-door.”
“Just like guys fantasize about sexy girls and big boobs, I fantasize about beefcake and hard cocks. It’s all about satisfaction. I enjoy knowing that the guys who see me are thinking about fucking me. When I walk out on-stage, that gets me hot.”
A fantasy that never gets old, the sexy secretary or office worker is just as hot today as it was in the past. It’ll be popular thirty years from now. A blonde bombshell in the Marilyn Monroe mold with a pretty face, a beautiful body and 48-inch tits, Suzie Boobies was a popular feature exotic dancer in the late ’80s and early ’90s. Her pictorials were in every big-bust magazine of the time and she knew the value of exposure in print and videos.
One of her favorite things to do during her show was to lift her tits to her mouth and slowly lick her nipples and stare at one of the club customers sitting close to the stage. Suzie said she didn’t mind if she spotted a guy in the club masturbating while he watched her on-stage. She considered it a compliment.
“I’m happy guys want to fuck my tits if they enjoy it. I would just rather be fucked in my pussy. I like to give long, slow blow jobs. Guys should always lick pussy. Some guys don’t. I prefer men who will take care of my needs and like to try new things. I have no one favorite position.”
Kathryn Gable‘s natural boobs and her overall “real girl” looks attracted a model scout and led him to approach her in 1993 and make his pitch. Fortunately for us, Kathryn accepted and didn’t brush him off. Nude or topless modeling was accepted in the UK more readily than in many other countries. The tabloid newspapers were filled with topless lovelies who went on to bigger careers. Kathryn’s time in front of the camera was short-lived but productive. She posed for over seven photo shoots.
A British girl working in London, Kathryn could tug, pinch and pull on her pliable boobs by the nipples without discomfort. Many girls can’t do that because it can be painful but Kathryn didn’t have that problem. “Tits like taffy” is an expression we’ve used to describe tits like Kathryn’s.
“There must be a nerve connecting my nipples to my pussy because I can almost cum from just having my nipples played with,” Kathryn once told the editor of SCORE.
Pretty Kathryn Gable made her debut in the January 1993 edition of SCORE (with covergirl Chloe Vevrier) after she was discovered by a talent scout. She returned in the December 1994 issue. She was also published in The Best of SCORE, and considering who else was in that special edition (L.A. Bust, Letha Weapons, Tiffany Towers), it said a lot for Kathryn’s good looks and sex appeal. Once again, Chloe was the covergirl.
Kathryn was 18 years old in 1993 when she posed in London. 5’4”, 42-25-35 and 119 pounds, Kathryn was glammed-up by the stylists for most of her shoots. Back then, they tended to keep some garments on the girls for the entire shoot (stockings, lingerie, gloves, garters) so totally nude photos of Kathryn are extremely rare.
Fresh-faced, busty-ginger-next-door Carol only posed once in London after answering an ad for models. She had a sweet body, natural tits with pale areolae, big, blown-out hair and a creamy complexion. As a pretty first-timer who was a bit nervous, she needed direction to slow down or she would have rushed through everything.
This video contains two scenes with themes that were used often: coming home with a new outfit and a secretary at the office. In the first scene, Carol comes home, takes off her overalls and eyeglasses and slips on the black lace lingerie and black stockings she’s just purchased. Getting into bed, she rubs her tits and bushy pussy.
In the second scene, Carol is at work. She opens her desk drawer, pulls out a copy of Gent magazine (Europe DiChan is the covergirl) and flips through the pages. The pictures of the girls turns her on and she pleasures herself right there at her desk, stopping to jump up and answer the phone. She keeps her eyeglasses on through most of this scene.
Carol showed a lot of promise in her scenes but this was her first and only time on-camera. The video is unedited and contains retakes. Due to tape damage, there’s some video distortion and there is no sound.