Stunning slave loves to get her tight pussy fucked hard!

YOU’RE SAFE NOW
TROUBLED VIRGIN EXPLOITED BY SOCIAL WORKER AFTER BEING RESCUED FROM CULT

SCENE opens and a fragile-looking girl (Whitney Wright) nervously shuffles along the walkway to the doorstep of a social worker’s house. She is clearly not comfortable, looking a little paranoid as she glances around her as if checking that there’s no one laying in wait around the next corner. She’s easy to startle, flinching as a car drives by in the background. She lets out a shuddery breath to calm herself, then hugs herself, trying to provide the comfort she’s been deprived of for so many days.

She steals a moment to brace herself on the steps, telling herself that she can do this. Just as she lifts a hand to knock on the door, the door opens, revealing a man (Derrick Pierce) with a warm smile. Lily jumps with surprise and he apologizes, saying that he saw her through the window. He seems approachable. He says that she must be Lily and invites her in after introducing himself as Aiden Taylor, her social worker. She seems to relax slightly — only slightly — with his warm greeting.

She steps inside the home, thanking him for seeing her, though hesitantly comments that she was surprised he asked her to come to his house, not his office. Aiden replies that he likes working from home since he finds that people who have trouble trusting others — like many of his clients, perhaps even like her — feel more at ease meeting in a comfortable, inviting setting than in a big cold corporate office. He’s worked a lot of cases and the home environment seems to work best, especially for teens who are often otherwise distrustful of authority figures.

She pauses a moment and responds that she guess she can see that, sure, warming up a little to his attempts at putting her at ease. He sees she is still a little skittish and smiles, reassuring her that she doesn’t need to be afraid anymore as he puts a firm hand on her shoulder. Lily tenses and he immediately pulls back with an apologetic look, gesturing instead with that same hand for her to head towards the office. As he does, he promises that she’s safe now, but as he closes the door, there’s a glimpse of a smile turned sinister.

TITLE PLATE

Lily and Aiden step into the home office, which is warm and inviting. There are two armchairs in the office facing each other. A desk might be present, but Aiden opts instead not to sit behind it, taking instead one of the two chairs facing each other. Aiden gestures to and pats the other chair across from him, encouraging Aiden to sit, as he sits opposite of her. He keeps a comfortable and standard distance from her of about three feet to promote intimacy. She’s nervous as he picks up a notepad and pen. Her posture is closed off, with her shoulders pulled in, her hands fisted tight against her lap.

Aiden and Lily begins discussing the case. To start with, he just needs some basic information to make sure everything gets processed correctly. He asks to check the spelling of her name and her birthdate. She gives her name and birthdate to him, and he asks if that means she’s 19, which she confirms. He also asks about her family, which makes her shift uncomfortably. She gives the names of her parents, as well as her younger sister, Emily. He asks how old Emily is, seeming intrigued — she’s Lily’s YOUNGER sister, right? Emily confirms yes, she just turned 18 this month. Only a few days before they ran away, in fact. Aiden seems pleased with this response.

Aiden then uses the tried-and-true method of small talk for easing her into the session. He talks about the weather, and she mentions that the weather was really nice for walking to his place. It felt like she was seeing everything for the first time. Aiden asks her how does she mean seeing everything for the first time? She shrugs, looking a bit sheepish as she admits that the sun is brighter, the wind warmer, the birds more cheerful… Emily was so excited when she saw a florist shop for the first time a couple days ago, Lily adds with a small but fond smile. The flowers were so colorful, like the ones just outside on Aiden’s street. ‘Father Warren used to say that boastful colors were the devil’s palette, so we only had white flowers in our homes.’

Aiden then continues, probing more into the situation. He starts by asking how many days she’s been in the city? She says it’s only been a week? She remarks that it’s hard to tell because so much has happened — it feels like her head is still spinning. He asks her where she’s staying, and she says that they’re at a local shelter. He asks her how the conditions have been and she admits they aren’t great, nothing like how things were at the compound.

Aiden assures her that it’s normal for her to feel anxiety, but that she’s doing fine. He then asks her to discuss the commune. She’s still uncertain, looking around nervously while rubbing her arm or biting her bottom lip. Aiden assures her that everything they discuss is strictly between them. He’s there to help her. She gazes at him for a few moments, choosing to trust him, then explains how her parents have both been part of the commune since before she was born, they were some of the first members to join. It was the only life she’s ever known. She didn’t think anything of it until a few months ago when she started hearing rumors. Aiden asks her what rumors she’s heard. Lily is quicker to respond now, desperate to be heard as she leans forward in her chair, becoming more animated.

She says that she heard that their leader, Father Warren, was taking girls into the barn to… to DO things to them… ‘What KIND of things?’ Aiden asks, leaning in as if almost perversely wanting to learn more, his warm presence starting to shift to something unsettling. Since she’s so desperate to get everything out into the open now, she doesn’t catch onto Aiden’s change of demeanor. She says she’s heard that he takes them back there to have sex with them.

‘And why did you feel uncomfortable about the rumors? …Is it perhaps because you secretly wanted to be one of those girls?’ Aiden asks, still in a professional tone, which seems creepier now because of the nature of the questioning and the way he seems even MORE focused on her. His eyes even flicker over her body briefly, which she catches.

She closes her body off again, gasping. ‘No, of course not! Why would I want that?’ she exclaims. Aiden slips back into a practiced smile as he leans back into the chair. He apologizes to her for making her uncomfortable, explaining that he’s worked with many troubled teens that developed attraction towards the men that have been exploiting them. He invites her to continue speaking.

Lily is a little wary again now, but continues talking, unable to help herself. She NEEDS to be heard! She says that ever since she started hearing the rumors, it was like a fog has been lifted. She noticed other strange things, too, like how everyone seemed TOO happy, but any time she tried to talk to her parents about it, they denied everything. Finally, she decided that she NEEDED to get Emily to safety. She couldn’t let Emily be the next one that Father Warren decided to be sinful with. They fled, having no belongings, no money, nowhere to stay… They got a ride to the city and have been staying at the women’s shelter for now, but it’s not enough. They can’t stay there forever. When she asked the homeless shelter volunteers, they referred them to Aiden, so that’s why she’s there. They said a social worker might be able to help her and her sister get the care and resources she needs to ensure that she and Emily are truly SAFE. She’s the big sister — she HAS to take care of Emily. She can’t risk them being sent back to that crazy place now.

Aiden says that he think he may be able to get them into a transitional home and goes to the computer to check. However, he’s not really looking anything up at all as he instead watches Lily from afar. After a few moments, he approaches her and says that he can help them. But there’s a lot of people ahead of them on the waiting lists…

Aiden then reveals that he is convinced that Lily and Emily were part of a sex cult. Lily is shocked, but especially when Aiden crouches close and suddenly looks a whole lot creepier. Aiden reflects out loud that if the commune was that strict about sex, Lily is probably still a virgin then… but, he asks, has she ever at least masturbated?

Lily is shocked by the change, recoiling away from him. She finally states that she’s REALLY uncomfortable about all this and doesn’t think he’s the right fit for her needs. She makes for the door but Aiden speaks up again in a cold drawl. ‘You COULD leave, if you want. I certainly won’t stop you. Just know that I’m the ONLY one that can help you get what you need to start a new life. No one else will help you if I exaggerate a few things in my notes here…’ Lily exclaims that he can’t do that. He counters that he CAN and WILL.

She’s horrified and torn. ‘No, I HAVE to protect Emily… I have to get her AWAY from all this…’ Aiden smiles darkly as he undoes his pants and removes his cock. ‘If YOU cooperate, I can help make sure you BOTH get the new life you’ve dreamed of. You can be together and HAPPY for the rest of your lives…’ he teases.

Lily tries not to stare at the cock, since it’s her first time seeing one, shocked by everything that’s happening. She backs up as he approaches until her back is against the nearest wall. ‘What are you doing?? No, I-I can’t do this…’ she stammers. He asks if she’s REALLY going to let her dear little sister down like that? He said he’d help her and he plans to keep his promise. Now she has a choice to make.

She finally reluctantly agrees to have sex with him if it means securing a better future. She nervously drops to her knees and parts her lips while looking up at him. He mockingly says that she’s made the right choice and that her sister should be SO PROUD of her for being so brave…

IMPREGNATING THE SITTER
GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE’S LAST WISH

April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE!

She knocks on the door and a pleasant man (Dick Chibbles) greets her. ‘Mr. Perry?’ April greets with a smile. ‘Yes, that’s me. You must be April, welcome!’ Trent says. April beams, saying that she’s pleased to meet him and that she can’t wait to meet the boys.

April moves into the living room with Trent, making some small talk where it’s revealed that she’s raising her younger brother. Her parents passed away, so it’s all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how’s school going?

April politely answers all the questions the best she can, even if she’s uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money’s a bit tight since she didn’t get a scholarship. Trent seems intrigued and says, well, there’s no shame in working for it!

April then asks where the kids are and he says they’re in the playroom. He’s just going to be gone for a few hours, so hopefully she won’t have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won’t be coming home. She’s at work and has a deadline, so… Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she’s directed.

As she does, Trent walks behind her with a longing gaze. ‘One hell of a mother…’ he says under his breath.

TITLE PLATE

CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. ‘Aw, I wonder what they drew…?’ she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion.

It’s a picture with stick figures, very much a child’s drawing. There’s a man labeled ‘Dad’ and a woman next to him labeled ‘Claire.’ They are surrounded by three kids, the boys. They all look happy. There’s another woman off to the far side labeled ‘Mom.’ She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe.

‘What does this mean?’ April murmurs to herself as she tries to make sense of the picture. She’s a little unnerved, putting the paper back down on the table.

Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry’s name. She quickly finds an obituary for his wife.

She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April’s startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife’s obituary — why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. ‘Listen, I can explain…’ he starts, begging for her to just hear him out.

April hurries to get out of there, but before she’s out the door, Trent blurts, ‘Have you ever had someone just DIE on you?’

April pauses, painfully remembering her parents’ deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he’d been given a daughter because that’s what they’ve always wanted.

April is wary, but moved by his plight, and says she’s sorry for his loss. She was so confused by the picture… But who’s Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead.

And now? Claire is gone…

When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter.

April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn’t need to be in LOVE with him! He’s just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn’t an issue for him, he just needs a womb. It’s just 9 months of April’s life. Plus, she’d be fulfilling his wife’s last wish…

April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she’s open to the deal.

Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

INDECENT EXPOSURE
PSYCHIATRIST MANIPULATES GIRL AFRAID OF SEX INTO SLEEPING WITH HIM

Jane (Ella Knox) waits in the reception area of Dr. Bishop’s home office. She is very nervous and agitated. The door to Dr. Bishop’s office slowly creaks open. Dr. Bishop (Alex Jones) emerges from the office, telling her to please come in. The camera follows her as she enters the office. Dr. Bishop closes the door and motions for her to sit down in a separate area of the office away from his desk where there are two chairs across from each other, mentioning she should get as comfortable as she likes. She sits in a chair that faces away from his desk. Dr. Bishop formally introduces himself. Jane nods but otherwise doesn’t respond. ‘I understand that you have been referred to me by Dr. Hill?’ The girl nods shyly, yes, she utters. He continues, saying that as he understands it, Dr. Hill is retiring. That kind of change can be very disruptive to a patient’s therapy, but he is here to make sure that the transition is smooth, Dr. Bishop continues, walking around behind the chair that she sits in. What brought her to therapy?, he asks. Jane looks a bit thrown off – doesn’t he have her file?, she asks. Yes, but he wants to hear it in her own words, he says. Jane takes a deep breath. ‘Well, Dr. Hill says I have a fear of…intimacy,’ she says slowly. She’s having trouble articulating her real issue to a stranger. ‘I’m afraid of…sex,’ Jane finally admits. ‘Can you help me?,’ Jane asks softly, hopeful. ‘I assure you, this is exactly my area of expertise, and I will do EVERYTHING in my power to help you,’ he says.

‘Let’s talk specifically about your phobia. Fear of sex. Do you have a guess as to how this started?’ Jane fidgets and says ‘no’ evasively. ‘And HAVE you had sex before? Or has your fear always stopped you before?’ Dr. Bishop asks. Jane looks increasingly uncomfortable. Yes, she has, she says quietly, looking down at her lap. ‘Can you tell me how old you were when you lost your virginity?’ he asks. She guesses it must have been about…4 years ago? She’s 22 now, so it was when she was 18, Jane answers. ‘Describe it to me,’ Dr. Bishop says after a moment, unzipping his fly again. Losing her virginity?! Does he really want her to describe it to him?, Jane asks incredulously. Yes, he says matter-of-factly, since she has a crippling fear of sex, they need to isolate the root cause of it, he says evenly, as unbeknownst to her, he unzips his fly and takes his dick out. He slowly inches it towards her face, but Jane is too in her own head to turn around and notice anything. ‘And take your time, dear,’ he finishes, ‘we’re in no hurry,’. Um…ok, Jane says reluctantly.

‘My parents were out of town and my brother was having a party, and it…happened that night,’ Jane says. Continue, Dr. Bishop says. ‘Well, the party was really fun, and I went to my room for a minute to touch up my make-up and…someone came in…it was this guy I knew. We had both had had a few….well let’s just say we both had had a few, and I guess that gave him the courage to tell me that he had a crush on me, and before I knew it, things were out of control and I was…naked with him, and…it happened,’ Jane says, exhaling loudly as she bites her nails. Please, be specific, Dr. Bishop prompts, pacing slowly behind her as he holds his cock and lightly waves it close to her, coming extremely close to her head, but not touching it. He tells her that to help, she can perform a relaxation exercise as she recounts the story. He tells her to lay her head on the back of the chair and close her eyes, and to focus on nothing but her words as she speaks. Jane does as she’s told. Dr. Bishop lays his hand on her shoulder, offering her words of support as he continues to stroke his hard dick with his other hand. After a moment, Jane speaks. ‘We started kissing, and he…took off my shirt, and then…I just did it cause I felt like…I had to,’ Jane says, her voice quivering with emotion. Abruptly he pulls his cock away and efficiently puts his dick back into his pants, zipping up as he says ‘That can be enough for now, Jane. Please open your eyes.’

Jane opens her eyes and turns in her chair to look at him. He leans on the edge of his desk, smiling kindly. ‘Take a deep breath, I know that was hard, but you’re safe,’ Dr. Bishop says. Jane exhales loudly, trying to steady herself after reliving the memory. The doctor remarks this was clearly an incredibly painful and traumatic experience, and in admitting what occurred that night, she has already made significant progress, he says. He is more convinced than ever that that night is the source of her phobia and he now feels comfortable recommending an appropriate course of treatment, Dr. Bishop says. ‘Are you familiar with ‘Exposure Therapy’?’, he asks.

CUT TO TITLE PLATE

Jane shakes her head. No, she doesn’t know what that is. He will explain, he says. ‘Exposure therapy is the practice of exposing someone to what they fear the most, demystifying the fear and thus removing it. You have been afraid of sex ever since that experience, so what exposure therapy means for you is that you need to have sex once more, to face that fear, and to overcome it. I believe that this is the only suitable course of action for you,’ Dr. Bishop says smoothly. Jane’s eyes go wide and her lip begins to tremble. No, no, no, she can’t do that, she WON’T do that, she can’t just will herself to have sex with some guy!, Jane stammers frantically, clearly terrified at the very thought of it. ‘Oh please do not misunderstand me, I’m not suggesting that you engage in some sordid ‘one-night-stand’. Exposure therapy must be administered very carefully and under the supervision of a professional, thus I am recommending that I be the one to…administer your therapy,’ Dr. Bishop says confidently and matter-of-factly. Jane’s jaw drops. ‘You want ME to…with YOU?! Are you crazy?? No way,’ Jane exclaims.

Dr. Bishop moves towards her. He smiles down coldly. ‘I do not take this lightly and only recommend this because I truly believe that this is the correct treatment, but let me be very clear: if you do not want to do this, which is, of course, your right…’ at this Dr. Bishop lays a hand firmly on her shoulder. She flinches a bit, but his grip is tight. He continues speaking. ‘I’d only see one possible future for you: you would walk out of this office and resolve that you will fix your problem on your own. And maybe you will have some progress at first, but you will eventually revert back to all your old fears, all your old phobias, and you will live the rest of your life terrified. You will not be able to maintain relationships or experience any sort of closeness and ultimately any true pleasure. Before you even realize it, your life will be over. You will die alone, with no one by your side. And that future, for you or for any of my patients? That is MY greatest fear,’ Dr. Bishop says. Jane looks confused, wrestling with what he has just told her. ‘You can’t know that this is what’s going to happen!’ Jane says, almost pleads. He has been a psychiatrist for almost 15 years and his experience tells him that this is exactly what will happen, he says patiently. ‘Don’t you want to be happy?’ he asks. Jane still seems uncertain but looks up at him with a hopefulness, as if to say: please, please help me. ‘Ok, if you promise that it will help me,’ she says softly and reluctantly.

Dr. Bishop asks Jane to stand up and face him. Mentioning that any sexual encounter begins with the participants getting naked, he tells her to remove her clothes. Nervously she strips down, exposing her huge tits. Dr. Bishop tells her to lie down on his desk. She hesitantly complies and he spreads her legs, getting his first look at her tight pussy. He lowers his face to it, burying his tongue in her juicy mound. Jane is still uncertain, but can’t deny how good his tongue feels on her clit and moans loudly. As she gets more and more into it, Dr. Bishop eats her pussy hungrily. Soon, it’s time for the next phase of her treatment, and Dr. Bishop has Jane get on her knees as he frees his cock from his pants.

But Jane’s therapy is just beginning, and before her fear of sex is cured, Dr. Bishop is going to expose her to things that she never even DREAMED of…

FACE TO FACE
WOMAN USES JOB AS REPORTER TO GET CLOSE TO AN ACCUSED PSYCHOPATH

Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. ‘You can do this,’ she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. ‘You must be Lois?’ he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she’s 22 but people always say she has an old soul. He nods and then realizes he’s still blocking the doorway – But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode.

So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly… how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn’t want to be misquoted, he’s had enough of that – he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. ‘So let’s start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?’ Lois asks. He considers the question. Well, it’s simple: in all this time, she’s not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he’s not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he’s never been able to shake that stigma, people just don’t look at him in the same way since then, he adds resentfully. It’s a lonely existence. ‘Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?’ Lois asks. He smiles sadly back at her. ‘Am I guilty?’ he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. ‘Yes…I am,’ he says, his smile gone.

CUT TO TITLE PLATE

Resuming the interview, Lois looks stunned at James’s admission. ‘I am guilty…guilty of being in the wrong place at the wrong time,’ James clarifies. He happened to be at the club that night, and he happened to be the last person seen with… James says, trailing off, blanking at the victim’s name. ‘Darlene Davis,’ Lois says, enunciating the name carefully. Yes that’s right, it was a long time ago…and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time…that ruined his life, James says. So how does he explain Darlene’s DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn’t bother to report was that she was a known substance user prone to nosebleeds, he says.

‘When they came to interview you because they saw you on the club’s security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn’t you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?’ Lois asks. Well, because he didn’t feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn’t have an alibi that night, he just came home alone, and he’s seen enough movies to know that it’s really easy for cops to pin something on someone who can’t account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he’s replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn’t have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois…he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he’s used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. ‘Because if this is just about pushing my guilt, if you’re hiding something from me…we’re going to have…a problem,’ James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No…it’s not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let’s keep going then, he says finally. Lois exhales sharply and resumes recording.

So getting back to the night of the crime: to help clear up any misconceptions, why doesn’t he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that’s where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There’s really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn’t really remember, he only danced with her for a short time and didn’t really get to know her, he answers. So he didn’t get a sense of her AT ALL?, a sense of what…Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can’t really help her there because like he said, he didn’t get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of…he doesn’t want to be rude here but…kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she…got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom.

In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get…inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get…personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He’s not sure if getting personal is…a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She’s sure that this is best for the interview, so…is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well…he felt…scared…angry…alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more…disturbing thoughts that she had that made her feel even more alone, she continues. It was like a…darkness growing inside of her, and it scared her, but she didn’t want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. ‘I think you know exactly what kind of…darkness I’m talking about,’ Lois continues softly. ‘You share that same darkness inside of you, don’t you James?,’ she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought—James starts, but Lois cuts him off. She doesn’t THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says.

What the fuck–he knew this had to be bullshit, she’s just like all the other reporters, James says, getting up from the couch in frustration. That’s just it, she’s NOT like all the other reporters, Lois says… in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn’t commit the crime, but she knew that was the only way he’d agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a…bond between them, Lois continues. He didn’t- he begins. She waves him off. There’s no need to put on any masks anymore, he can be his true self around her. She’s here because she wants him to tell her—no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois’s demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It’s no fantasy, it’s what she came here to share with him, Lois says. No, he can’t do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. ‘SHOW. ME.’ she enunciates firmly, bringing her face inches away from his. He can’t resist anymore. ‘Is this what you want?! Is THIS WHAT YOU WANT?!’ James yells, ripping her blouse open roughly, the buttons hitting the floor. ‘Yes, oh god yes,’ gasps Lois.

As he tears her clothes off and buries his face hungrily in Lois’ pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe…but what James doesn’t know is that Lois has a secret of her own…

PEER PRESSURE
INNOCENT VIRGIN SCHOOLGIRL DOUBLE-TEAMED BY TWISTED STEP-SIBLINGS

Lisa (Vienna Black), a sweet and innocent schoolgirl, arrives at Stephan (Justin Hunt)’s house, trying to calm her nerves as she holds her backpack close. As she approaches the front door, there is a gardener nearby that offers to open the door for her. ‘Let me get that for you, miss,’ he says. Before he opens the door, though, he nervously looks between the door and her, then leans in and asks if she REALLY wants to be in there with THEM. Lisa is worried and asks what’s wrong with them, but before the gardener can answer, the door is opened from the other side. Stephan, a young man wearing a smile, greets Lisa, saying there she is! He thought he heard voices. Come on in!

When Lisa turns away, Stephan catches the gardener’s eyes and makes a lewd sexual gesture, indicating their intentions for innocent Lisa. The gardener can do nothing more but look guiltily away as Stephan closes the door behind them.

TITLE PLATE

Lisa compliments Stephan on the beautiful house as he leads her into a dining room to study, soon joined by his step-sister, Nikki (Casey Calvert). Stephan shrugs and says that the house is modest, which is obviously an understatement. Nikki ribs her brother and says that nothing involving either of them could ever be described as ‘modest.’ Stephan smirks, then thanks Lisa for coming over to help them study for the upcoming exam. He especially needs a little pick-me-up with his grades and Lisa’s just so smart! She has to be the smartest one in any of their classes.

Lisa’s flustered by the compliments, obviously having a crush on Stephan, saying that the ‘bad boys’ seem to always need a little bit of extra help. (It’s clear by the way she says ‘bad boys’ that she likes bad boys, and Stephan catches onto this with a sly grin.) She continues on to say that she’s always been a nerd, so… Stephan says that she’s a very pretty nerd. A woman with brains AND looks is a treat. Although Lisa’s flustered, she makes a bit of a face at the word ‘treat’ since it sounds weird to her, maybe even a bit creepy. Even Nikki picks up on this and laughs, saying that it sounds like her dear brother Stephan just wants to ‘eat her up.’ Maybe he DOES, Stephan retorts, then winks at Lisa and as a joke, growls hungrily. Lisa is shy and not used to this kind of attention, although she seems to like it.

Stephan asks if Lisa minds agreeing to help them study. Lisa looks a bit flustered — oh, Nikki will be studying with them too? Stephan bares his teeth into a grin and says he and his sister are inseparable, he wouldn’t want her to flunk the test while he’s acing it! He hoped she could study with them, and asks if that would be a problem? Lisa tries to play it cool and says, no, of course not. Everyone at school knows how close they are, so how could she say no? Nikki gasps and turns to Stephan. ‘Do you hear that, brother? We’re practically famous!’ she laughs sarcastically. Then Stephan gestures to the dining room table and suggests that they get started. Lisa is still a little disappointed by Nikki being there, clearly having hoped for some alone time with Stephan, but tries not to show it too much.

Lisa is about to sit by Stephan when Nikki promptly takes the seat, smiling sweetly at her. A little taken aback, Lisa moves around the table and sits across from them. She takes her laptop out of her bag and asks what they’d like to study first. Stephan says he’d like to study biology first since that’s his favorite subject… He especially loves learning about a woman’s anatomy… Who doesn’t love a bit of… exploration? As Stephan says this with a grin, Lisa feels a foot running slowly up her leg.

She stares at Stephan, obviously thinking that it’s him playing footsies, but it’s actually Nikki. Lisa fidgets both because of the move seeming quite bold to her, and also because of her arousal. She can’t help but to like the preppy bad boy vibe Stephan gives off.

Nikki smirks, though Lisa doesn’t even notice her, anyway, since her attention is on Stephan. Lisa glances briefly to Nikki, nervous about what she thinks Stephan is doing to her, but Nikki just grins. ‘Is something wrong?’ Nikki teases. Lisa swallows and shakes her head while blushing, saying that nothing is wrong and that, sure, they can start with biology — she can pull up her notes from the semester. Nikki stops playing footsies and scoffs, saying that they’re all 18 now — they can learn about the female anatomy in more fun ways than by reading about it. Lisa nervously laughs and insists that sticking with the notes is best if they want to do well on the exam.

As they begin studying, Lisa talks about the female body, specifically the reproductive system. She starts listing off the parts that make up the system: the labia majora, labia minora, Bartholin’s glands, uterus, ovaries, fallopian tubes, clitorus, vagina…

Nikki scoffs, saying this is so lame since this is all stuff they should already know. Hey, does Lisa know that the hymen can be broken in ways other than sex, like sports or horseback riding? It’s not the reliable test of a woman’s virginity that it used to be. She wonders out loud if Lisa’s hymen broke yet, and if so, whether it was from riding horses or riding something ELSE.

Lisa is uncomfortable, ignoring the question and saying that she doesn’t think hymens are going to be on the exam, so… Stephan makes studying even harder by asking Lisa about ‘erogenous zones’, playing a bit dumb. What are they? How do they work? Sure, he knows what to do with a wet pussy, but what else can he do to make a woman scream?

Lisa’s even more embarrassed. ‘Um, I d-don’t think that’s on the required materials for the exam…’ Stephan leans in a little closer, still playing dumb, although his closer proximity seems a bit more menacing. ‘Well, don’t you know? You’re supposed to be so smart, and all,’ he teases with an edge to his voice. Lisa’s even more uncomfortable, squirming in her seat, her eyes still on Stephan but she feels desperate to prove herself. ‘Well, I READ that the most accepted ones are the ears, lips, neck, breasts, bum, inner thighs, and… vagina,’ Lisa explains, stumbling again a little over the last word. ‘But there are some other ones, too, like the feet or even armpits…’

Stephan laughs, looking a bit disgusted at the mention of armpits, saying no thanks! Nikki snorts, saying that if he wants to please a woman, he has to be willing to go all the way — armpits included! Stephan remarks that he KNOWS how to please a woman. You just gotta fingerbang her ass a bit while you’re eating her out. He even mimes this by poking one finger back and forth in the air while doing the classic vulgar cunnilignus gesture with his other hand. ‘Just like ringing a doorbell!’ he laughs. ‘Ooh, you’re SUCH a romantic! Not gonna lie, though — it sounds pretty hot, right, Lisa?’ Nikki teases with a twisted grin. Lisa is shocked and a bit grossed out now, not only because of the graphic nature of the sex described but also how comfortable the siblings are around each other.

Lisa doesn’t answer Nikki and instead laughs nervously as she tries to get them back on track, redirecting their attention back to the books. Once or twice, she looks towards the entranceway, as if debating whether she should leave or not, but ultimately decides to stay. Nikki then makes a comment about the laptop. It’s an older model, isn’t it? Lisa is relieved for the distraction but embarrassed still, mentioning that, yeah, it’s secondhand since her parents spent everything on the tuition this semester. She was lucky to get into such a prestigious school! Nikki and Stephan says that they’re so proud of her for getting into the school, it really shows that ANYONE can make it in life if they work hard… this is said in an obviously condescending way, which makes Lisa her momentary confidence.

Nikki excuses herself to go to the bathroom and Lisa takes this chance to pull her chair closer to Stephan. They begin studying again, with Lisa making sure only to talk about less sexy parts about the female anatomy. Like, how exciting is the menstruation cycle? He butters her up a little, marveling over how she makes even periods sexy, which is really saying something! Although he’s heard that some guys are really into fucking women on their periods… As he talks, he moves his arm down and out of sight.

While Lisa is distracted, Nikki sneaks back and slips under the table without Lisa noticing. She carefully crawls close to Lisa, then starts running a hand up along Lisa’s leg, up her knee and slowly towards her inner thigh. Lisa makes a short sound of surprise as she stares at Stephan, who is intensely focused on her and smiling. He’s still leaning forward toward her with his arm out of sight to add to the illusion that it could be him feeling Lisa up, even if it’s not. The routine is so smooth, as if Stephan and Nikki has pulled this stunt before.

Lisa still thinks it’s him feeling her up and is flustered. She continues reading, though her voice catches as the hand starts moving towards her pussy. Lisa shifts and bites her lip to stifle a moan, then whispers, ‘Keep doing it…’ to Stephan. Stephan gives a fake-confused look and says, ‘Keep doing what?’ When Nikki palms her pussy, Lisa moves her hand under the table and over Nikki’s, rolling her hips into the touch. ‘You’re touching me…’ she breathes, though Stephan still plays it innocent and says that he isn’t? He’s just scratching his leg… Lisa’s eyes widen as she pushes her chair back and stares under the table, seeing Nikki there. ‘Whoops! I thought I was touching Stephan,’ Nikki blatantly lies while both she and Stephan laugh. It’s a creepier, mocking laugh, though.

Nikki crawls out from under the table and sits in the chair again as both she and Stephan crowd Lisa, who is hugging herself nervously. ‘What’s going on?’ Lisa demands. ‘We’re just having a bit of fun, aren’t we, Stephan? You HAVE to be a virgin, though, aren’t you, Lisa? And not just because you have a tight little twat down there — you couldn’t even tell a girl’s hand from a guy’s! I mean, I know Stephan has some pretty girly hands, but…’ Nikki says. ‘Hey! I do not! YOU seem to like them.’ Stephan states as the two banter over Lisa’s head. Nikki scoffs and says, ‘Yeah, because I like girls’ hands better! You can fit more of their fingers in at once!’

Lisa is really confused and uncomfortable as she starts to rise to gather her laptop, saying that she has to go. Both Stephan and Nikki touch her shoulders and coax her back down to the seat. ‘So soon? We just barely finished the chapter,’ Stephan says with an unsettling smile. ‘I thought we had a special moment going on here? I see the way you stare at me at school… Like you want me to fuck you right then and there against the lockers….’ Nikki rolls her eyes, saying, oh, you wish! You like to think you’re such a player when all you prey on are the frail, helpless types. Where’s the challenge in that? Anyone can do that! Stephan should be looking for a REAL woman — like her!

‘Oh, dear sister, you know you’re more than enough woman for me,’ Stephan says in a seductive tone. The two start to close the gap between each other while leaning over and in front of Lisa, clearly moving closer and about to kiss heavily — though they don’t quite touch yet.

Lisa is shocked as she bursts between them. ‘Wait, aren’t you two brother and sister??’ Stephan and Nikki shake their head. ‘We’re step-brother and step-sister. REAL fucked up, right?? But hey… how can I NOT fuck a gorgeous woman like her?’ Stephan insists as he leans in and starts necking Nikki, even biting at her, which Nikki enjoys. Nikki giggles and flirtily tells him to stop while clearly fishing for more compliments. She says that not a day goes by that she isn’t glad that her mother married his father, which brought THEM together.

‘I REALLY should be going,’ Lisa says as she clutches her laptop. ‘You’re free to go…’ Nikki says sweetly. ‘Of course, now we’re going to tell everyone what a whore you are. You came over here purely to seduce us, you sicko. What, does getting it on with a brother and sister get you off?’ Lisa is horrified, exclaiming that they can’t spread such lies about her. Nikki continues, saying, who are people going to believe? Them or Lisa? Lisa’s a NOBODY at school. Besides, aren’t they PRACTICALLY FAMOUS? Lisa’s out of her MIND if she thinks she’s worth anything. She’s just a pathetic little girl that got into their school as a charity case. The school probably took pity on her and her parents and decided to show a little goodwill. It looks good in the public eye. So what would happen then if the school found out the sweet, underprivileged girl they let in was going around slutting it up with classmates? And what will her darling parents think when they learn that their little girl is not so innocent?

So here’s the deal: if Lisa fucks Stephan and does everything they ask, they won’t breathe a word about it to anyone else. Nikki likes watching her brother defile young, innocent, underprivileged, hardworking girls like Lisa…

Lisa can’t believe what she’s hearing and is almost about to cry because of the confrontation. She begs them not to say anything. They don’t understand that school is literally all she has! So much has been sacrificed to get into this school. She’s willing to do anything to ensure that the step-siblings don’t fuck it up for her. Anything!

‘Then it sounds like we have a deal,’ Nikki purrs, but Lisa is still worried. ‘If I let you f-fuck me — then you’ll keep everything quiet?’ she asks while trying to put on a brave face. ‘We promise,’ Nikki says. ‘Just… Just be gentle. It’s my first time,’ Lisa adds, nervously giving her consent. ‘Oh, we’ll be gentle,’ Nikki says…

WHY ARE YOU DOING THIS!?
SADISTIC BOYFRIEND MAKES GIRLFRIEND SEDUCE HER STEPMOM UNDER THREAT OF EVICTION

Scene opens on Alison (Emma Hix), who is in her living room, pacing nervously. She is clearly worried about something. She hears a knock at the door and hurries to answer it. Her boyfriend Bradley (Lucas Frost) is there. He greets her, kissing her on the cheek as he walks into the house like he owns the place. He loudly sits down on the couch and puts his feet on the coffee table obnoxiously. So tonight’s the night huh?, Bradley leers at Alison. ‘I don’t think I can do this,’ she says worriedly, still standing. Baby, come here, he says, motioning for her to sit on the couch next to him. When she moves to sit down, he instead grabs her around the waist and pulls her onto his lap. She lets out a surprised gasp. ‘Baby, you know I love you right?’ he asks smoothly. She says ‘yeah’ quietly. And he’s not making her do anything she doesn’t want to do, right?, he says. It’s her choice, but she knows what’s going to happen if she doesn’t do it, he continues, raising his eyebrow. Her eyes go wide as she stares at him, frozen. ‘I don’t want that to happen, but if you don’t do what we agreed on, I WILL make sure it happens’, Bradley says icily. But don’t even worry, she’s going to love it, he adds. She nods, still extremely nervous but clearly acquiescing to his demands. He looks her up and down like she’s an object he’s appraising. ‘You look like a nice little slut,’ he says, his formerly kind tone completely replaced by one that is vaguely sinister. He kisses her hard. ‘Are you my little slut?’ he asks her. Yeah baby, she responds. ‘And you’re gonna eat her fucking pussy right, aren’t you?’ he asks, reaching around and grabbing her ass. ‘Yes baby,’ she says, gasping. ‘Fuck yeah you are…and I’m gonna watch you do it,’ he says. Just then, they hear a key being inserted into the lock. ‘And there she is now. She has no idea what we have planned for her tonight,’ he says, a sleazy grin plastering his face. The door opens and Connie (Sarah Vandella) walks in. Immediately, Bradley separates himself from Alison and his sleazy grin transforms into a polite and welcoming smile. Connie smiles and says hello. ‘Hi…Mom,’ Alison says.

CUT TO TITLE PLATE

Cut to the dinner table, where the three have just finished eating dinner. ‘That was delicious, Connie,’ Bradley says. ‘Oh thank you Brad,’ Connie returns his grin. ‘It’s Bradley,’ he corrects her, the agreeable and positive image he projects faltering for a moment as an edge of anger creeps into his voice. Oh, she’s sorry, she forgot, Connie says, somewhat taken aback by the glimpse of what lies beneath Bradley’s surface. That’s ok!, Bradley says, flashing her a charming grin as he snaps back to his friendly appearance. Alison seems distracted, perhaps focused on the task that lays ahead of her. ‘And how’s the house? Everything good here?’, Bradley asks, waving his hand around the room. Connie tells him that it’s wonderful and thanks Bradley again for everything he’s done. It was so tough after the accident, with her husband gone…and of course she couldn’t work anymore…,Connie says sadly. Bradley nods, pretending to be sympathetic. So when Bradley came along, she was just so happy that Alison had someone, Connie continues. And then he arranged for his dad to help them with this place…Connie continues. ‘You’ve really been a godsend,’ Connie says to Bradley, smiling warmly at him. Oh it’s really nothing, Bradley says with false modesty. ‘It’s not nothing. There’s no way we’d be able to afford this place if your dad didn’t own it and hadn’t given us a discount on the rent,’ Connie says appreciatively.

‘It’s no problem at all,’ he says, with a faux sweet smile. ‘Anything for my girl,’ he adds, kissing Alison on the cheek but then leaning in close to her ear and whispering ‘Do it now.’ Alison looks at Bradley pleadingly. Connie begins to clear her plate, putting her napkin and cutlery on it, so is too distracted to see the exchange between Connie and Bradley. Bradley, through gritted teeth, motions her to get on with it. Alison takes a deep breath. ‘Mom…there’s something I wanted to talk to you about…something…private,’ Alison says hesitantly. Sure, what’s going on honey?, Connie asks brightly. Well…, Alison clears her throat, trailing off. Bradley, playing his part, steps in. Why don’t they go to Connie’s bedroom, where they can speak privately and he can wash the dishes while they talk?, Bradley suggests. That’s so nice, thank you Bradley, Connie says. Connie and Alison get up and leave the room. Bradley pretends to shuffle the dishes around, watching Alison and Connie as they leave. He listens for a moment, and once he’s satisfied that they’re in Connie’s bedroom, he leaves the kitchen. Cut to an over-the-shoulder shot of Bradley as he quietly creeps down the hall, arriving at the open door of Connie’s bedroom.

We see Alison and Connie talking as he watches. They are sitting on Connie’s bed together. So what is it honey?, Connie asks. Alison is frozen in nervousness. ‘I’ve been having these…thoughts lately Mom,’ Alison says, looking up at her mom. What kind of thoughts?, asks Connie. ‘Thoughts about…you,’ Alison says slowly. ‘Thoughts about me? What does that mean exactly?’ Connie asks, a little wary. ‘I’ve just started to…look at you differently. I mean, you’re so…beautiful,’ Alison says. ‘I just….I think I love you,’ Alison says. ‘I love you too honey. Even though I’m not your biological mom, you don’t ever need to doubt that,’ Connie says tenderly. ‘No no I mean…I’m IN love with you,’ Alison says. Here we go, Bradley whispers to himself, fondling his crotch in anticipation, seal the deal baby.

‘Oh my god,’ Connie says softly, her mouth wide in shock. ‘I know I’m your stepmom Alison, but for all intents and purposes, I’m still your MOM, and there are boundaries that mothers and daughters don’t cross,’ Connie says patiently and firmly. ‘You do understand that, don’t you honey?’ Connie asks. ‘I know Mom, I’m not a kid. I’m 18-years-old, I get how these things work, but I just…I can’t deny how I feel. I had to tell you: I want to be with you,’ Alison says, putting her hand on Connie’s knee. Oh no, no Connie laments, they can’t do this, it’s completely inappropriate. Connie softly removes Alison’s hand from her leg. ‘I know how lonely you’ve been since my dad died,’ Alison says, sliding her hand under Connie’s skirt between her legs. Connie removes Alison’s hand from under her skirt. ‘Alison, stop this right now! What’s gotten into you?! Your boyfriend is right downstairs!’ Connie says fiercely. ‘I don’t care,’ Alison whispers desperately and again slips her hand between her mom’s legs. Despite her misgivings, Connie is clearly thirsting for human touch and doesn’t resist this time. She gasps as Alison rubs her pussy while she kisses Connie’s neck. However, she seems just about to come to her senses and push Alison away when seeing this, Bradley chooses this moment to make his entrance, pretending that he just stumbled upon the scene by accident. ‘Just wanted to—oh my god!,’ he exclaims.

Connie snaps her eyes open, abruptly moving away from her daughter. Connie looks horrified. Alison doesn’t look surprised to see Bradley since this was all part of the plan. Connie exhales loudly, smoothing out her skirt. ‘Bradley this isn’t—‘ she stammers. ‘Oh please. I know exactly what this is,’ he says with a smarmy tone and plops down into the chair that faces the bed. ‘Carry on,’ he says with a dismissive wave of his hand. ‘C-carry on?! Nothing was happening, I swear to you Bradley, we were just talking and then suddenly…,’ Connie says frantically. Bradley insists that he knows what he saw. Connie and Alison are going to get back to what they were doing when he came in, Bradley says. ‘And I’m going to sit right here. And I’m going to watch,’ Bradley says. ‘Just like we talked about, right baby?’ he asks Alison. Alison doesn’t answer, instead looking down at her lap, deeply ashamed. Connie looks at her daughter. ‘You…knew about this?! So all that talk about being in love with me,…that was all to get me to do this with you…for HIM?!’ she asks Alison. Alison looks up from her lap to her mom. ‘Please Mom I–,’ Alison begins, but Bradley cuts her off. Fucking right she knew about it, he wanted them to put on a little show, so he told Alison that she needed to make it happen, Bradley says. ‘And Alison does what I say. Because she knows exactly what the consequences will be if she doesn’t,’ Bradley says threateningly. ‘You’re disgusting, get the fuck out of my house!’ Connie yells at Bradley angrily.

Well, he guesses he’ll have to tell her about those consequences then, Bradley says. ‘You see, that’s just it. This ISN’T your house,’ Bradley says calmly. Connie’s brow furrows as she contemplates the implications of his question. ‘That’s right, it’s not, it’s my father’s property,’ Bradley continues. And his father loves him very much, so if Bradley asks him to, he’ll evict Connie and Alison so fast that it’ll make their fucking heads spin, Bradley says. ‘So I suggest…that you both…Take. Off. Your. Fucking. Clothes,’ Bradley says menacingly. There is a long silence. ‘You seemed so…nice,’ Connie says, almost to herself as she shakes her head in disbelief. He is nice, he just gets…bored sometimes, Bradley says absently. ‘You’re doing this because you’re BORED?! How can you be so cruel?’ Connie asks softly, horrified. Who knows really?, Bradley asks rhetorically. Maybe it’s because he’s rich and entitled?, or because he likes being in control?, or because his mommy left him when he was a little baby?, Bradley asks gleefully, mock crying as he mentions his mommy. Or maybe it’s just because…why the fuck not? laughs Bradley sadistically. ‘So you have a choice: Are you going to hit the sheets or hit the streets?’ Bradley asks. ‘Hit the streets or hit the sheets? That’s pretty good huh? I came up with it while I was driving over here!’ Bradley laughs. So what’s it gonna be?, he asks, his laughter stopping abruptly. Connie looks at Bradley with pure rage and terror. Realizing that she only really has one option, she turns to Alison. She puts her hand on her daughter’s knee and leans in reluctantly for a kiss. ‘No, stop. I need to hear you say it, otherwise, it’s no fun. Is this what you want?’ Bradley asks. Yes, Connie says quietly through gritted teeth. Yes baby, Alison says numbly. ‘Good choice,’ Bradley says. ‘Now, Connie? Fuck your fucking slut daughter please,’ Bradley says evenly. Flashing Bradley a look of hatred, Connie turns to her daughter. They begin to kiss and Alison slides down between her mom’s legs, slipping her panties off. Alison licks Connie’s clit hungrily as her mom gasps, unable to conceal her pleasure while Bradley watches.

But they’ll find out soon enough that Bradley wants to do a lot more than just watch, and Bradley ALWAYS gets what he wants…