DENY IT ALL YOU WANT

Richard (Steve Holmes) is anxiously awaiting the arrival of his stepdaughter, Natalie (Vanna Bardot). She’s moving in for the summer but he hasn’t been around Natalie since the wedding. With his wife out of town, he’ll have to make Natalie feel at home completely on his own, which he is a bit nervous about.

When Natalie arrives, although he tries to be warm and welcoming, Natalie is very cold towards him. He tries to be a nice guy, but Natalie is already proving to be a handful. Even when he offers to bring in her suitcases, she’s convinced he’s only doing it because he doesn’t think a full-grown woman can take care of herself.

Despite the rocky start, Richard keeps trying to be a well-meaning parental figure. But no matter what he does, he somehow keeps finding himself in… compromising situations. It’s almost like Natalie WANTS him to see her in a sexual light!

Finally, when he one day finds Natalie’s bra hanging on his door, he realizes that she’s doing EVERYTHING on purpose. But when he confronts Natalie about it, it’s obvious that she’s not done messing with him yet…

IDOLIZED

SCENE OPENS on Gabbie Carter, a babysitter, as she is let into a home by her clients, Mr. and Mrs. Kingsley (Tommy Pistol and Lauren Phillips). They are warm and familiar with each other since she’s been babysitting for them for a few months now. Mr. and Mrs. Kingsley are both excited for a night out, reminding Gabbie that she can help herself to anything in the fridge, rent movies, call her friends – she’s over 18, and they have lots of trust in her – she’s the most responsible babysitter they’ve ever had. However, before they leave, they remind Gabbie not to go into Mr. Kingsley’s office since he has some private things there. Gabbie easily agrees and wishes her favorite clients a good night as Mr. and Mrs. Kingsley leave.

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Later that night, Gabbie is fretting. The baby monitor’s batteries are dead. She can’t find the charger ANYWHERE, having already checked EVERYWHERE else in the house… except for the office.

Gabbie frets even more as she debates going into the office, although she knows she’s not supposed to. Mr. and Mrs. Kingsley have been nothing but good to her and she doesn’t want to ruin their trust. Finally, although she’s nervous, she decides to quickly check the office. She promises to herself she’ll just peek in, take a quick look, and leave without disturbing anything.

Gabbie carefully and quietly enters the office, which isn’t locked. But when she walks in and sees what’s in the room, her jaw drops with shock and horror. On the far side of the room, there sits a shrine dedicated to HER on a nearby shelf. It’s filled with all sorts of creepy things – a hoodie she left there once, a vial with one of her hairs in it, personal trinkets of hers, and pictures of her. After staring for a few moments, she hastily runs out of the room and slams the door.

A while later, Gabbie seems distressed as she waits for Mr. and Mrs. Kingsley to return home. They finally return home and Gabbie tries to keep calm and show that nothing’s wrong. However, she keeps nervously looking at Mr. Kingsley. She makes small talk with them but then casually asks if she can speak to Mrs. Kingsley alone for a moment about… girl stuff. Mr. Kingsley pleasantly laughs and excuses himself, leaving Mrs. Kingsley with her.

Gabbie nervously leads Mrs. Kingsley into the office, pointing to the shrine. She’s still freaked out, insisting that she thinks it’s all Mr. Kingsley’s doing.

Mrs. Kingsley is oddly quiet. After a moment, Gabbie turns towards her. As she turns around, she is shocked to find Mr. Kingsley standing eerily in the doorway with Mrs. Kingsley. Gabbie looks startled, and unnerved at how casual Mr. and Mrs. Kingsley are acting. Mrs. Kingsley approaches and comforts Gabbie, insisting that it’s NOT what Gabbie thinks. They lead Gabbie into the living room, where they explain that they BOTH have come to love and admire Gabbie. This is their way of having Gabbie CLOSE even when she’s not babysitting for them.

They already spoil her rotten as a babysitter, imagine what life would be like if she’d let them spoil her as a lover? Gabbie is unsure, but after admitting to them that she’s always found THEM attractive too, easily agrees to join them for a wild threesome.

Gabbie’s about to find out what it’s really like to be idolized…

LAW-ABIDING CITIZEN

Charlie (Charlotte Sartre) is looking to pay the bills and lead a better life but things haven’t been easy. No matter where she goes and how hard she tries to escape her past, it always catches up with her. But when she goes to yet another promising job interview, only to be turned down because of her criminal record, it’s clear that playing by the rules isn’t helping her.

That’s when she calls her old partner in crime, Mia (Casey Calvert) with an offer.

Later that night, Charlie and Mia meet to come up with a way to make a bit of extra money that isn’t exactly on the up-and-up. Since Charlie’s on probation, this is absolutely the last thing she should be doing but desperate times call for desperate measures. What makes it even more risky is that she shouldn’t be in Mia’s company either since she also has a criminal record.

It isn’t long before things go from bad to worse as Charlie’s sleazy probation officer, Tony (Jason Moody), shows up. Thinking on the fly, Charlie and Mia pretend to be girlfriends, even though they are both straight, but Tony isn’t buying it. If Charlie and Mia want to distract Tony from what they’re REALLY doing, they’ll have to do whatever it takes to convince Tony that they are indeed a couple…

THE URGE

SCENE OPENS on Dr. Ross (Nikky Thorne), who walks into her office and sits down at her desk. Dr. Ross, a psychologist, begins to write in her journal, recounting the strange events of the day. She was visited earlier by an exhausted and fearful-looking woman named Molly (Nelly Kent). She told Dr. Ross that she desperately needed to speak to a psychologist and had found Dr. Ross online. Dr. Ross invited her in.

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In the safety of the office, Molly told Dr. Ross why she had sought her out. Molly described a dark, disturbing fantasy…a fantasy that she claimed had dominated her thoughts. In this fantasy, Molly found herself in a room. In that room was a man (Raul Costa). When he approached Molly, a hunger came over her, an insatiable urge that consumed her. An urge to be…FILLED…in every sense of the word.

Continuing to write in her journal about her encounter with Molly, Dr. Ross muses that she’s never seen anything quite like this case before. But she has to admit that it has piqued her curiosity in a way that she has not felt for a very long time.

But Dr. Ross has no idea what she’s gotten herself into…because soon, the urge will consume HER too…

CAN NEVER MAKE IT UP TO YOU

It’s a quiet day when a young woman, Wendy (Gianna Dior), receives a surprise visit at home from a stranger, Robert (Will Pounder), whom she has never met before. She has no idea who he is but he insists he NEEDS to talk to her. Though she is tempted to turn him away, this stranger’s solemn expression tells her that this is serious… and that she has to hear what he has to say.

Once inside, it’s revealed that Wendy’s parents were killed in a car accident… and that it was Robert’s wife behind the wheel. Wendy is shocked and devastated as she learns of his true identity, demanding to know why he’d show his face after that. As far as Wendy is concerned, Robert is as much to blame as his wife since he was on the passenger’s side that fateful day. Surprisingly, Robert feels the same — that he is partially to blame — which is why he’s there. With his wife still in jail, he wants to help Wendy however he can to try and make amends.

Wendy’s torn. While Robert seems sincere, she can’t put aside all the hurt and grief. Nothing he does matters, anyway, since it’ll never bring her parents back. While she’s non-committal as she shows him out, she has a feeling it won’t be the last she sees of him.

Over the next few weeks, a strange sort of friendship begins blooming between them. It starts when Robert brings her a home-cooked meal and takes off from there. As they spend more time together, Wendy starts being able to look past the terrible tragedy between them. Instead, her feelings of resentment towards him are replaced with something much more genuine: attraction.

But just when Wendy’s wounds are starting to heal, Robert drops a bombshell and Wendy’s world is once again turned upside-down.

AN APPETITE FOR DESTRUCTION

Skylar (Skylar Snow) and Paige (Paige Owens), a married lesbian couple, are ready to take the next step in their marriage: buying a house together. But when they find the house of their dreams, it quickly becomes clear that it’ll be nothing but a nightmare.

When they try to put in an offer on the perfect house, they are met with hostility by the realtor. It seems as though they are not welcomed in this neighborhood, even though they are respectable people with good credit. The realtor makes it known that since Skylar and Paige are lesbians, their chances of getting the house are slim to none.

Although Paige is furious, Skylar tries to be compromising. She insists that it’s not like they’re going to flaunt their sexuality — they’ll be perfect neighbors. While the realtor is skeptical, she lets them make an offer… but when it’s later revealed that they didn’t get the house, both Skylar and Paige know WHY.

NOW it’s time to get revenge… and Paige knows just what to do.

UNQUALIFIED

SCENE OPENS on Cherie DeVille’s office. She is an important CEO, talking on the phone. Dante Colle, the new employee, peeks into her office holding a bunch of papers. She waves him in and ends the phone call. She signs the papers Dante brought her, saying that she has to sign off on pretty much everything in this company, but he doesn’t have to be afraid of her. She likes employees with initiative. Dante says he will do his best, because he wants to do a good job. Before he leaves, Cherie admires how he looks from behind.

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We fade in on Dante later in the day, sitting at his desk and looking rather busy. Joanna Angel from HR stops by, introducing herself and saying that it’s her job to make sure all employees are treated properly, so he can talk to her if he needs help with anything. He can think of her as a friend. Dante thanks her for the information.

Over the next few days, as Dante has further encounters with Cherie while working, she behaves in ways that are increasingly bold. She calls him ‘sweetie’, tells him that she’s not wearing a bra, and even leaves a racy photo of herself on his desk. Eventually, Dante has a meeting with Joanna, and is shocked to see that Cherie is there as well. The two women laugh at him, saying that he is totally unqualified for this job – they hired him because they liked his BODY. So if he wants to keep this job, he’ll have to show just what kind of a… team player he is. Dante is willing to do anything to keep his job, so he agrees to please the ladies in every possible way…