Four best friends, Lisa (Gina Valentina), Jennifer (Jane Wilde), Michelle (Jade Baker), and Carrie (Gianna Dior), are having the time of their lives at a teen slumber party at Lisa’s house. They spend the evening being silly over prank phone calls, fashion shows, and pillow fights, which makes Lisa’s mom (Dana DeArmond) contemplate what the girls are doing with their lives. Even though it’s all in good fun, it isn’t until the rowdy girls start taking teen magazine quizzes that things get REALLY interesting.

Jennifer begins bragging about ALL the naughty things she’s done with dates, although her friends are skeptical. They are especially suspicious when Jennifer insists that she hasn’t only been to second and third base but FIFTH base, too! It becomes clear that Jennifer just might be full of it, but her friends are too inexperienced themselves to really call her out.

The bragging reaches its peak when the girls huddle close around a dating game. The topic of sex inevitably comes up and Jennifer once again steals the spotlight, making up sex positions that seem too wacky to be true. Finally, fed up with her friends not believing her, Jennifer makes a grab for Carrie’s perky breasts, proving once and for all that she’s at least gotten to second base! When Carrie retaliates by grabbing her breasts in return, things only get hotter from there.

By the end of the night, Jennifer’s not going to be the ONLY one bragging about her prowess!

Mr. and Mrs. Howard (Brock Doom and Vera King) are supposed to be on their way to visit family for the weekend but, at the very last moment, their daughter, Susan (Alina Lopez), has fallen ill and won’t get out of bed. Susan lays under the covers with a thermometer in her mouth, looking clammy and disoriented.

‘She’s 18-years-old for goodness sake,’ Mr. Howard barks, frustrated at the prospect of being late. He urges his wife to let the girl stay home alone. Mrs. Howard seems less convinced. What if she’s faking it? What if they could find a last minute babysitter? What if they just cancelled the trip altogether? After some bickering back and forth, the parents finally decide that it’s best for Susan to stay home while they go on the trip. Susan promises them that she’ll get some rest and take care of herself and her parents leave. Susan lays quietly, listening to them exit, before slowly sitting up and pulling out the hot water bottle she used to fake her illness. A grin crosses her face. Finally, the house to herself — all weekend!

With her parents away, Susan is enjoying her sweet freedom and dancing in her underwear when she is suddenly interrupted by her phone ringing. She picks it up but all she hears is a strange sound on the other end, as if someone is breathing heavily. When no one responds to her repeated greetings, she hangs up, puzzled.

A moment later, the phone rings again and when Susan picks it up she hears the same, strange sound. ‘Is this some kind of crank call? Lisa…. Is that you??’ She laughs into the phone before hanging it up. Instantly, the phone rings again. She picks it up.

She hears the same sound of heavy breathing on the other end of the line. She’s starting to get freaked out now. ‘Mom? Dad? Is that you?’ She says cautiously. ‘Who is this?’ The breathing quickens before cutting out abruptly. Susan puts the phone down and shakes her head. She won’t let her nerves get the best of her!

Later that night, Susan watches a movie on the TV in her room. She has forgotten about the crank call and is now engrossed in the scary movie. From outside, somebody sneaks up to the window and begins to watch her.

Suddenly, Susan is startled by a loud banging. She freezes before looking outside the window. She sees nothing. She hears another loud bang coming from her door. In a panic, she creeps towards the knob. Someone is inside the house! Summoning up all her courage, she opens it. No one is there. The hallway is dark and quiet. Susan breathes a sigh of relief. But then, the doorbell begins to ring wildly. Her eyes go wide in fear.

Susan rushes to the front door. She nervously cracks the door to discover a teenage girl (Gia Paige) standing outside. ‘Help me! Help me!’ She screams. Terrified, Susan opens the door wider and the stranger bursts in, slamming it behind her. ‘We have to hide,’ she continues. ‘Before it finds us!’ She pulls the stunned Susan back into her bedroom, slams the door and turns off the lights.

Slowly, the room becomes illuminated again by a colorful light. The stranger has pulled a magic screen from her backpack … with all the pegs glowing. ‘It doesn’t like bright lights,’ she whispers before starting to take off her dirty clothing. Susan can barely keep up. Who are you? What is going on? Should we be calling the police? The stranger catches her breath. ‘My name is Amy. I’m 19 years old. I’ve just escaped from its clutches!’ Susan stares at her in shock.

‘It’s been holding me hostage for months, trying to get inside me. It’s a government cover-up. In a warehouse. Lots of medical equipment. Some kind of mutant. It doesn’t like bright lights. Listen, I need you to touch me! I need you to take off all of your clothes and touch me! It’s the only way to stop it from getting inside!’ Susan stands up and turns on her bedside light. Before Susan knows it, she and Amy are wrapped in each other’s bodies.

Will this be enough to keep the mysterious creature at bay? And what is Amy NOT telling Susan?

A woman, Isabelle (Julia Ann) leads her step-daughter Rose (Carolina Sweets), a gorgeous young bride, by the hands into the lobby of a wedding parlor. They are excited and fawning over each other, gabbing about the ceremony starting in just under a couple of hours.

Rose is positively glowing in her wedding dress as Isabelle brings her to a nearby wall mirror to apply some finishing touches. As Isabelle dotes over her daughter, suddenly her emotions get the best of her and she begins to tear up – at first Rose thinks it’s just because of sentimentality, but we get a sense there’s something more.

Isabelle continues to wallow in self-pity, and unintentionally gives Rose clues about why she’s sad about the wedding. At Rose’s continuing probing, Isabelle finally admits why she’s so sad to see her daughter getting married – because she has feelings for her.

Isabelle leans in for Rose who seems about to give her an obliging kiss on the cheek. But at the last second, Rose changes her mind and goes in for a kiss on the lips. Isabelle is shocked that Rose seems to reciprocate but Rose insists that she’s been curious about women ever since she turned 18. The two of them begin to kiss heavily, and soon, they are slowly and sensually undressing each other.

Isabelle is going to show her sweet Rose exactly how she feels about her…

A woman, Isabelle (Julia Ann) leads her step-daughter Rose (Carolina Sweets), a gorgeous young bride, by the hands into the lobby of a wedding parlor. They are excited and fawning over each other, gabbing about the ceremony starting in just under a couple of hours.

Rose is positively glowing in her wedding dress as Isabelle brings her to a nearby wall mirror to apply some finishing touches. As Isabelle dotes over her daughter, suddenly her emotions get the best of her and she begins to tear up – at first Rose thinks it’s just because of sentimentality, but we get a sense there’s something more.

Isabelle continues to wallow in self-pity, and unintentionally gives Rose clues about why she’s sad about the wedding. At Rose’s continuing probing, Isabelle finally admits why she’s so sad to see her daughter getting married – because she has feelings for her.

Isabelle leans in for Rose who seems about to give her an obliging kiss on the cheek. But at the last second, Rose changes her mind and goes in for a kiss on the lips. Isabelle is shocked that Rose seems to reciprocate but Rose insists that she’s been curious about women ever since she turned 18. The two of them begin to kiss heavily, and soon, they are slowly and sensually undressing each other.

Isabelle is going to show her sweet Rose exactly how she feels about her…

Elizabeth (Cadence Lux) arrives at the house of her best friend Janie (Serena Blair). Even though both girls graduated from high school five years earlier, they still do everything together and are excited to hang out. But a night of pizza, video games and ogling the underwear section of department store catalogs soon takes a…WEIRD turn.

When Elizabeth starts bragging about all the ways she pleases her girlfriend, Janie’s not convinced, saying that Elizabeth wouldn’t know what to do with a pussy if she MADE her one. Elizabeth is puzzled. What does Janie mean when she says MADE her one?? Janie grins, telling Elizabeth to follow her to her home computer.

Turns out that Janie’s been experimenting with a 3D virtual reality program. A program that she can use to make a virtual 3D woman…whatever kind of woman they WANT! The girls get to work crafting the perfect babe, basing her on one of their favorite TV characters. When they’re done programming her, they press enter. Suddenly, there is a loud explosion and the computer begins pouring smoke. Disappointed and thinking that the program fried the computer, the girls doze off.

What they don’t realize is that they’ve just caused a short circuit of epic proportions. A power surge so strong, it rendered their 3D creation into physical form instantaneously!

But…are these two horny nerds REALLY ready for the results when their stunning creation (Kenzie Taylor) steps out of the computer screen and into their lives?

Dolly (Brandi Love) and Donna (Reagan Foxx) are two confident businesswomen drowning in a sea of noisy businessmen during a board meeting. It’s hard for them to even hear themselves think as the men drone on, not taking anything the women have to say into account. As the men’s voices blend into one, with the meeting going nowhere fast, Dolly finally takes a stand.

‘Well, I think we should cut costs across the board so that we can increase production,’ Dolly asserts as the men stare at her in awe. She has their undivided attention… until Donna stands up.

‘Well, I think we should decrease production to focus on quality,’ Donna announces as all the men whip their heads to her instead.

The tension in the room steadily builds as Dolly challenges Donna, the two powerful women squaring off to determine who will reign supreme. All the while, the businessmen (Eric Masterson, Johnny Goodluck, Brock Doom, Brad Newman, Tommy Wood, Julian Jagger) watch on, afraid to interrupt them and make themselves targets. When Dolly and Donna are face-to-face, about to get into the thick of it, the men bail, not wanting to get in the middle of this epic clash.

As soon as the men are gone and the boardroom is empty, Dolly and Donna laugh and pull each other close in a warm embrace. The men were taking FOREVER to get through the meeting, so Dolly had to do SOMETHING to get the boys out of their hair. Donna is impressed as she glides her hands along Dolly’s back… Although it’s almost time to clock out for the weekend, they just can’t resist each other any longer!

Two rival rock bands, Twisted Fister, led by Micki Jett (Charlotte Stokely) and MegaLez, led by Rhonda Rotten (Lena Paul) arrive at an empty venue for a battle of the bands. The bands have a long history of competing with each other. The girls from Twisted Fister – Micki, Joan (Katrina Jade), Kim (Kira Noir), and Patti (Payton Preslee) and the ladies from MegaLez – Rhonda, Lila (Karla Kush), Charlie (Chloe Cherry), and Darla (Giselle Palmer) can’t wait to face off and finally settle who’s the most bitchin’ band once and for all!

But their dreams are dashed when the venue manager Vince (Stix Zadinia) comes in and tells the girls that there’s a hurricane on the way. The battle of the bands is canceled! Vince’s assistant Kelly (Anastasia Rose) then tells them that the storm is too severe for anyone to leave. The bands decide to have the battle of the bands anyway.

Both bands rock out, and with the battle done, the drummers and bassists leave to get some air. Even though the bands now have a begrudging respect for each other, they still can’t decide who won the battle. Micki suggests that there is really only one way left to see who’s the best: by seeing who FUCKS the best. Rhonda’s not backing down, so she and Lila come together with Micki and Joan for a totally rad foursome.

Forget about ROCKING the hardest…the fight’s on to see who FUCKS the hardest!